The black art: wet plate collodion photography

Photographer Adrian Cook uses one of the oldest photographic processes to make unique images on aluminium plates. Guardian Australia’s picture editor, Jonny Weeks, joins him in his portable darkroom for a shoot on Sydney Harbour. Cook talks through his processes and explains the appeal of wet plate collodion photography in the digital age

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30 COMMENTS

  1. Only for the really dedicated film shooters, because doing this requires you to have portable darkroom.
    Ah I'm happy with the more modern & convenient roll and sheet films 😀

  2. Digital is going in the direct where every single digital image will be perfect, high resolution, sharp, perfect color, low noise, just perfect. Perfect is boring when it comes to photos. You need some imperfections or mistakes to make the best photographs. That is why film will always be the number one medium for photography. Because it just isn't quite perfect and when you reach your first goals new goal posts are extended as the film world is far more vast than the digital world.

  3. Hello I am a subscriber to South Korea.

    There is no information about collodion wet plate in South Korea. So I want to ask you some questions.

    I am using a poeboy collodion (Cadmium bromide is not available in South Korea )

    The picture is still blurry or the contrast is poor. I'm not sure if it's a silver nitrate issue or a developer issue. Collodion was definitely well made. The developer made it well by adding iron sulfate, acetic acid and ethanol. But the picture is blurry. I am doing an ambro type. Is it a problem with silver nitrate? Specific gravity is exactly 1.07. If the pH of silver nitrate is about 5~6, can the picture be blurry or the contrast is weak?

  4. When you look into the camera lens why is the view upside down? Its really cool though that it still turns out beautiful! Wow I appreciate how patient photographers were back in the day. Imagine having to reshoot a photograph if they didn’t like the outcome of the photo.

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